Ozioma Onuzulike's exceptional talent has been recognised on a global scale. He has been shortlisted as one of 29 Finalists representing 18 African countries for The Norval Sovereign African Art Prize (NSAAP) 2025, an annual award for contemporary artists from Africa and its diaspora sponsored by Schroders. The shortlisted artworks, including Onuzulike's, will be presented to the public in a Finalist Exhibition at Norval Foundation, Cape Town, South Africa, from 4 February to 20 April 2025.

Onuzulike’s ceramic tapestry, titled Embroidered Babariga Armour for Fubara, is a masterpiece of intricate craftsmanship. It has been constructed from 3,189 handcrafted ceramic palm kernel shell beads woven together using copper wire to resemble a sumptuous West African elite gown called “Babariga” or “Agbada”. The clay shells were first bisque-fired, then selectively dipped into glazes before being inlaid with glass from crushed recycled bottles and re-fired to very high temperatures. His laborious studio processes made the shells resemble glass beads, historically used as tokens to buy enslaved Africans. However, beads are now considered prestige items and emblems of high social status in many regions of Africa. Created by Onuzulike at the height of the struggle for political power between the governor of the oil-rich Rivers State in Nigeria and his political godfather, this piece brings to mind both “agbada” dress (emblematic of the affluence of political figures) and the medieval plate-armour and speaks about political turmoil in Africa.

Ozioma Onuzulike is a professor of ceramic art and African art history in the Department of Fine and Applied Arts, University of Nigeria, Nsukka. He is also the Director of the Institute of African Studies at the same university. He is considered a prominent voice in Africa's contemporary ceramic art practice.

To view Ozioma Onuzulike’s other works, you may follow him on Instagram @ozioma.onuzulike.